A small crew that covers the whole pipeline itself — from first treatment to final color. Simple to work with; nothing lost in handoffs.
Written and directed by Fenta — treatment, script, and storyboard, the plan every later decision gets measured against.
On-location and rented-studio shoots, lighting design, camera operation — run by a small two-person crew, built for both broadcast and cinema delivery.
Modeled and composited by Eliya — 3D, simulation, and title design, done in-house rather than farmed out.
Cut and graded by the two of us — the pass that turns footage into a finished film, delivered to spec.
Alongside the motion work, ARC22FILMS shoots art and editorial photography — personal series, campaign stills, and behind-the-scenes documentation from set. Same eye, different frame rate.
Each project begins with a shared reference and a clear treatment — then we build the visual world in stages, checking it against that reference at every step, so nothing drifts by the final grade.
Reference, tone, and constraints — locked before a single frame is planned.
Storyboard and shot planning, so everyone is looking at the same film early.
Shoot days on location or in a rented studio, run to the same call sheet discipline.
Edit, VFX, grade, and sound — delivered to spec, on the platform it's built for.
Two of us on every project — we bring in trusted freelancers for anything beyond that.